After last season's Lanvin creative director Alber Elbaz showed his tenth collection for French fashion house, many of his fans have a question about what will happen next. Answer in his new collection spring-summer 2013, shown as the Academy of Fine Arts, where I studied Monet and Degas, was, as he himself put it, "a revised classicism." If you do not look closely, there is nothing new: the same strict tuxedos, gowns deconstructive cut, the same amount of the same color palette dresses that was last season. But note - to detail: Elbaz tuxedo trousers belted wide belt, very similar to the Japanese obi, and dresses decorated origami and voluminous bows. It turned out the revised classicism in his understanding - cleanliness and precision of French classics in the alloy with the charm and picturesqueness Japanese geisha costumes. Oriental theme has repeatedly raised at the fashion week in Milan with Prada, Etro and Emilio Pucci, but Elbaz it looked more like a penetration technique elements of Japanese prints in French paintings of the XIX century - a structural solution, an attempt to find a new image of the modern woman
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